(Third Assignments) The Analysis of -Ing Forms

Anjar Rahmannita

4SA05 (10611938)

Pembelajaran Bahasa Inggris Berbantuan Komputer (Softskill)  

THE ANALYSIS OF –ING FORMS

I Try to find out and analize about the –ing form as Verb,  Noun, or Adjective form in this article.

The Relation between Education and Social Opportunity

Since the time of the Enlightenment, education has been viewed as carrying the potential to lessen inequality and expand the economic and social opportunities available to citizens. Much controversy surrounds the question of the degree to which that potential has been and is today being realized.

The Spencer Foundation seeks to shed light on the role education plays in reducing economic and social inequalities -- as well as, sometimes, reinforcing them -- and to find ways to more fully realize education's potential to promote more equal opportunity. Expanded opportunity is important not only to a society's economic well being but to the character of its civic, cultural and social life as well.

It is important to recognize that these educational investments don't occur in a vacuum. Larger social structures -- law and government, markets and property rights, practices and patterns of racial and gender inequality, and others -- provide a framework that conditions education's effects. Deep inequalities in family circumstances and social environments pose serious challenges to the attainment of equal educational opportunity. And even for persons with good educational opportunity, a variety of other factors in family and community life influence their prospects. While these observations should not be used to excuse schools from doing their utmost to improve the prospects of students from disadvantaged backgrounds, we need to understand better how larger social structures and the contexts in which schooling occurs (including family circumstances, health and nutrition, public safety, housing, transportation, libraries, and so on) influence the ability of schools to shape educational and social outcomes.

Education enriches and expands people's lives in many ways, including through their employment opportunities, their civic and political involvements and the quality of their personal lives. Our interests therefore extend to studies that examine the ways in which differences in educational experiences (including quality and character of schooling as well as number of years in school) translate into differences in employment, earnings, and civic and social outcomes. Such work can help us identify ways to change schooling investments and outcomes in the interests of a more just and prosperous society.

                           

HOW SERIOUS IS INDONESIA IN PROMOTING IT’S CULTURE LITERATURE

At the Frankfurt Book Fair 2015, Indonesia will be the event’s guest of honor, offering the nation a chance to show the world that it has tremendous wealth of culture and literature.

The event will be the first time that Indonesia will be so honored.

In previous iterations of the fair, Indonesia has been represented by the Indonesian Publishers Association (IKAPI) or individual publishing houses.

Deputy Education and Culture Minister Wiendu Nuryanti said that officials were taking the time needed to make sure that the government was ready.

“We must understand that the book fair has a wide constellation [in the industry], so we’d like to treat Frankfurt Book Fair as a promotion place for Indonesia. We also think that we can develop some ideas, like gaining some ground for creating a translation center in Indonesia,” Wiendu said during a recent seminar titled On the Road to Frankfurt: How Translation Travels held by Kompas Gramedia.

“We have our own great authors and we need momentum to promote them and their powerful literary works — and the Frankfurt Book Fair is the perfect international stage for Indonesia,” she added.

Officials plan to display 2,000 books at a dedicated Indonesian booth at Frankfurt, Wiendu said. About 150 of the titles would be translated into English or German.

“Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.

So far, Wiendu has received 530 titles to be brought to Frankfurt. “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

Also speaking at the seminar, Gramedia managing director Wandi S. Brata said that his company would display another 100 titles of Indonesian literary works in foreign languages during Frankfurt.

“It’s great that now the government is willing to facilitate us at the book fair. I think it’s a brave step from the government, which hopefully will have a good impact — on Indonesia in general, and on local publishers in particular,” Wandi told The Jakarta Post.

Wandi said that publishers and the IKAPI worked independently at international book fairs in previous years. “We used to only focus on buying rights [of international titles]. This time, Gramedia alone, for example, will be trying our best to sell some rights of local titles to international market, especially Germany.

“So far, we’ve translated 61 titles — there are about 40 to go. We’re optimistic that every title will be ready by next year.”

Even so, Wandi is realistic. “Most publishers overseas still look down on Indonesian books. Only books from great and famous authors, like Pramoedya Ananta Toer, get their attention.”

Surprisingly, books about Indonesian Islamic fashion have come to international consideration, especially in Middle East countries such as Turkey, and from Malaysia, said Wandi. “It seems that our all-covered fashion has become a trend.”

Wandi said that Indonesian publishing industry was still “colonized”, meaning that most of books on sale were from overseas. “Foreign titles in fiction and non-fiction are still favorites. Although, in metropop, there’s been a significant shift. Indonesian metropop is a favorite now,” he said of women’s popular literature.

Nung Atasana of Borobudur Literary Agency says that different countries have readers with different interests.

Malaysians, for example, are interested in Indonesian books about Islam, Islamic fashion, fashion, Islamic novels, Chinese philosophy, recipes, handicrafts, agro-business, interior design, parenting, education, motivation, health, computer, literary works and children’s books.

“Brunei Darussalam looks for literary works; the Philippines looks for English[-language] children’s books; Vietnam looks for on education, children’s books and references; Thailand looks for children’s books; the Indonesian community overseas is interested in rare books and local content; while Japan is up for literary works,” said Nung, a former editor of Gramedia Pustaka Utama publishing and former international marketer for Gramedia Publishers.

There was also interest from publishers in other nations: illustrated children’s books for South Korea, classic and contemporary literature in the United Arab Emirates, Islamic writings for Saudi Arabia, cookbooks and literature in the Netherlands and reference and literary books in the US.

“From my observation, it means that most of those countries are looking for children’s books, especially with hand illustrations instead of computer-generated ones,” said Nung.

Meanwhile, Kate Griffin, the international program director for British Center for Literary Translation, said that most foreign publishers look for books that would fit their lists, tastes and aesthetics; as for works with stories they think their readers would read.

“In the UK, we are generally not as adventurous and open to other literary styles as other European countries. Crime fiction in translation is popular, as is straightforward storytelling, but not so much literary experiments.

“This means that UK publishers are often quite cautious in what they choose to translate, selecting titles that don’t stray too far from the taste of UK readers and familiar literary styles. They might focus on genres such as crime, or big family sagas, to be sure that there is an audience,” she said.

Author Laksmi Pamuntjak has had her novel Amba translated into English under the title The Question of Red. The book, published by Gramedia Pustaka Utama in Indonesia, will be available in bookstores after April 1.

Laksmi has sold the German rights of the novel to Ullstein Verlag, which will publish it in German by fall 2015. Ullstein Verlag is a respected German publishing company that has published the works of George Orwell, Ha Jin, Margaret Atwood, Nobel Prize winner Knut Hamsun, Richard Dawkins and J.K. Rowling.

“I can only hope [the German distribution] will further open doors to the international market,” said Laksmi.

Looking at Frankfurt, Laksmi said that Indonesia could use the fair to curate the nation’s literature to determine which works should be presented to the world and display the sheer breadth of the country’s cultural voices.

“The government should take this seriously, however, for a moment of this scale calls for resources and a great amount of faith and national pride in what Indonesian authors have achieved.  Look at South Korea and how committed its government is in subsidizing and promoting its writers and artists and works in translations,” she said.

Taking the stage in the Frankfurt Book Fair isn’t so much about whether Indonesian literature is good enough, said Laksmi. “It is, rather, about whether the world is interested in what we have to say in the first place.”

Source : http://www.spencer.org/content.cfm/education-and-social-opportunity

              The Jakarta Post Article

The –ing form as Verb, Adjective ,and Noun

Ø  In paragraph two, from the article The Relation between Education and Social Opportunity

The Spencer Foundation seeks to shed light on the role education plays in reducing economic and social inequalities -- as well as, sometimes, reinforcing them -- and to find ways to more fully realize education's potential to promote more equal opportunity. Expanded opportunity is important not only to a society's economic well being but to the character of its civic, cultural and social life as well.

The –ing form ‘reducing’ here is as a verb. Although there is preposition ‘in’ it does not mean that reducing in this sentence as a gerund or a noun. A gerund is the –ing form of a verb used as a noun. Gerund is used in the same ways as a noun, for example,  as a subject or an object of the sentence.

Analysis

The –ing form ‘reinforcing’ in this sentence also funtion as a verb. Although ‘Them’ in this sentence funtion as a pronoun. This is does not change the ‘reinforcing’ as a noun or gerund.

.

Ø  In the article How serious is Indonesia in promoting it’s culture, literature?

Analysis

The –ing form ‘like gaining’, ‘for creating’, ‘in subsidizing’, ‘are looking’ in this article is funtion as noun and also called as gerund, ‘gaining’ in this sentence act as verb and ‘like’ as a preposition. We called it gerund because as we know that gerund is a word that form from verb with suffix –ing and act as a noun.

The –ing form ‘willing’ in the sentence above is a form from adjective. However there is ‘is’ before ‘willing’ it does not change the form from adjective. Also it is the same as ‘be trying’ which form as adjective.

Direct and Indirect Speech (Softskill)

How Serious Is Indonesia In Promoting It’s Culture, Literature

by Jakarta Post

At the Frankfurt Book Fair 2015, Indonesia will be the event’s guest of honor, offering the nation a chance to show the world that it has tremendous wealth of culture and literature. The event will be the first time that Indonesia will be so honored. In previous iterations of the fair, Indonesia has been represented by the Indonesian Publishers Association (IKAPI) or individual publishing houses. Deputy Education and Culture Minister Wiendu Nuryanti said that officials were taking the time needed to make sure that the government was ready.  “We must understand that the book fair has a wide constellation [in the industry], so we’d like to treat Frankfurt Book Fair as a promotion place for Indonesia. We also think that we can develop some ideas, like gaining some ground for creating a translation center in Indonesia,” Wiendu said during a recent seminar titled On the Road to Frankfurt: How Translation Travels held by Kompas Gramedia. “We have our own great authors and we need momentum to promote them and their powerful literary works — and the Frankfurt Book Fair is the perfect international stage for Indonesia,” she added. Officials plan to display 2,000 books at a dedicated Indonesian booth at Frankfurt, Wiendu said. About 150 of the titles would be translated into English or German.  “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.  So far, Wiendu has received 530 titles to be brought to Frankfurt. “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

Also speaking at the seminar, Gramedia managing director Wandi S. Brata said that his company would display another 100 titles of Indonesian literary works in foreign languages during Frankfurt. “It’s great that now the government is willing to facilitate us at the book fair. I think it’s a brave step from the government, which hopefully will have a good impact — on Indonesia in general, and on local publishers in particular,” Wandi told The Jakarta Post. Wandi said that publishers and the IKAPI worked independently at international book fairs in previous years. “We used to only focus on buying rights [of international titles]. This time, Gramedia alone, for example, will be trying our best to sell some rights of local titles to international market, especially Germany. “So far, we’ve translated 61 titles — there are about 40 to go. We’re optimistic that every title will be ready by next year.” Even so, Wandi is realistic. “Most publishers overseas still look down on Indonesian books. Only books from great and famous authors, like Pramoedya Ananta Toer, get their attention.”

Surprisingly, books about Indonesian Islamic fashion have come to international consideration, especially in Middle East countries such as Turkey, and from Malaysia, said Wandi. “It seems that our all-covered fashion has become a trend.” Wandi said that Indonesian publishing industry was still “colonized”, meaning that most of books on sale were from overseas. “Foreign titles in fiction and non-fiction are still favorites. Although, in metropop, there’s been a significant shift. Indonesian metropop is a favorite now,” he said of women’s popular literature. Nung Atasana of Borobudur Literary Agency says that different countries have readers with different interests.  Malaysians, for example, are interested in Indonesian books about Islam, Islamic fashion, fashion, Islamic novels, Chinese philosophy, recipes, handicrafts, agro-business, interior design, parenting, education, motivation, health, computer, literary works and children’s books. “Brunei Darussalam looks for literary works; the Philippines looks for English[-language] children’s books; Vietnam looks for on education, children’s books and references; Thailand looks for children’s books; the Indonesian community overseas is interested in rare books and local content; while Japan is up for literary works,” said Nung, a former editor of Gramedia Pustaka Utama publishing and former international marketer for Gramedia Publishers. There was also interest from publishers in other nations: illustrated children’s books for South Korea, classic and contemporary literature in the United Arab Emirates, Islamic writings for Saudi Arabia, cookbooks and literature in the Netherlands and reference and literary books in the US. “From my observation, it means that most of those countries are looking for children’s books, especially with hand illustrations instead of computer-generated ones,” said Nung.

Meanwhile, Kate Griffin, the international program director for British Center for Literary Translation, said that most foreign publishers look for books that would fit their lists, tastes and aesthetics; as for works with stories they think their readers would read. “In the UK, we are generally not as adventurous and open to other literary styles as other European countries. Crime fiction in translation is popular, as is straightforward storytelling, but not so much literary experiments.  “This means that UK publishers are often quite cautious in what they choose to translate, selecting titles that don’t stray too far from the taste of UK readers and familiar literary styles. They might focus on genres such as crime, or big family sagas, to be sure that there is an audience,” she said. Author Laksmi Pamuntjak has had her novel Amba translated into English under the title The Question of Red. The book, published by Gramedia Pustaka Utama in Indonesia, will be available in bookstores after April 1.  Laksmi has sold the German rights of the novel to Ullstein Verlag, which will publish it in German by fall 2015. Ullstein Verlag is a respected German publishing company that has published the works of George Orwell, Ha Jin, Margaret Atwood, Nobel Prize winner Knut Hamsun, Richard Dawkins and J.K. Rowling.  “I can only hope [the German distribution] will further open doors to the international market,” said Laksmi. Looking at Frankfurt, Laksmi said that Indonesia could use the fair to curate the nation’s literature to determine which works should be presented to the world and display the sheer breadth of the country’s cultural voices. “The government should take this seriously, however, for a moment of this scale calls for resources and a great amount of faith and national pride in what Indonesian authors have achieved.  Look at South Korea and how committed its government is in subsidizing and promoting its writers and artists and works in translations,” she said. Taking the stage in the Frankfurt Book Fair isn’t so much about whether Indonesian literature is good enough, said Laksmi. “It is, rather, about whether the world is interested in what we have to say in the first place.”

Direct Speech

a.       “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.

In this direct speech use present tense, if we want to change it to indirect speech we have to change the tenses to the past tense.

Indirect Speech

She said that their translation team was doing its best to finish half of the target number by end of the year. If everything goes well, they will have translated all 150 titles by next year.

In indirect speech we found that the pronoun ‘She’ become in the first sentence “She said that”. Also, pronouns that change form, for example : ‘Our’ becomes ‘Their’ and ‘We’ become ‘They’ and last we can see that the quotation marks were deleted, also there ‘was’ in this sentence that means it have changed into past tense. it is mention that this sentence is an indirect speech.

Direct Speech

b.      “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

This direct speech also use present tense, and we have to change it into past tense and also the pronoun ‘We’ become ‘They’, ‘Are’ become ‘Were’ because the pronoun is They and to change its form into past tense. So, the complete sentence is

            

            Indirect Speech

She said that they were welcoming more titles from the public, especially the ones that explore local culture with universal value.

For indirect speech the quotation mark disappear change with ‘She said that’.

Question

a.       Direct

Rahma asked, “Where are you going?.”

Indirect

Rahma asked that where I was going.

In direct speech use present tense for change it into indirect form we have to change the tenses into past tense and we have to delete the quotation marks and question mark  in direct sentence, change pronoun ‘you’ become ‘I’ in indirect speech and add ‘was’ to change it to past tense.

b.      Direct

Tom asked “Why did you not go to grandma’s house?.”

Indirect

Tom asked me why I had not gone to grandma’s house the day before.

In this direct speech use present perfect,  change it into past perfect tense form, we have to change pronoun ‘you’ become ‘I’, change ‘did’ become had not as past perfect form and also add ‘the day before’ in the last sentece. Deleted the quotation marks and question mark in the indirect speech.

Imperative

a.       Direct

Father told me “Can you cook dinner tonight?’

Indirect

Father told me to cook dinner tonight.

In this direct speech we can see that this sentence use possitive command so we have to put ‘to’ between pronoun and verb. We also have to change the pronoun ‘you’ become ‘me’ and delete the quotation marks and question mark.

b.      Direct

“Be careful of the slippery floor” my friends warned me.

Indirect

My friends warned me to be careful of slippery floor.

In this sentence we can see that this is also possitive command to someone. In indirect speech we have to delete the quotation marks, and move ‘my friends warned me’ to first sentence.

Anjar Rahmannita (10611938)

4SA05

Pembelajaran bahasa Inggris dengan berbantuan komputer (Softskill)

Direct and Indirect Speech (Softskill)

How Serious Is Indonesia In Promoting It’s Culture, Literature

by Jakarta Post

At the Frankfurt Book Fair 2015, Indonesia will be the event’s guest of honor, offering the nation a chance to show the world that it has tremendous wealth of culture and literature. The event will be the first time that Indonesia will be so honored. In previous iterations of the fair, Indonesia has been represented by the Indonesian Publishers Association (IKAPI) or individual publishing houses. Deputy Education and Culture Minister Wiendu Nuryanti said that officials were taking the time needed to make sure that the government was ready.  “We must understand that the book fair has a wide constellation [in the industry], so we’d like to treat Frankfurt Book Fair as a promotion place for Indonesia. We also think that we can develop some ideas, like gaining some ground for creating a translation center in Indonesia,” Wiendu said during a recent seminar titled On the Road to Frankfurt: How Translation Travels held by Kompas Gramedia. “We have our own great authors and we need momentum to promote them and their powerful literary works — and the Frankfurt Book Fair is the perfect international stage for Indonesia,” she added. Officials plan to display 2,000 books at a dedicated Indonesian booth at Frankfurt, Wiendu said. About 150 of the titles would be translated into English or German.  “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.  So far, Wiendu has received 530 titles to be brought to Frankfurt. “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

Also speaking at the seminar, Gramedia managing director Wandi S. Brata said that his company would display another 100 titles of Indonesian literary works in foreign languages during Frankfurt. “It’s great that now the government is willing to facilitate us at the book fair. I think it’s a brave step from the government, which hopefully will have a good impact — on Indonesia in general, and on local publishers in particular,” Wandi told The Jakarta Post. Wandi said that publishers and the IKAPI worked independently at international book fairs in previous years. “We used to only focus on buying rights [of international titles]. This time, Gramedia alone, for example, will be trying our best to sell some rights of local titles to international market, especially Germany. “So far, we’ve translated 61 titles — there are about 40 to go. We’re optimistic that every title will be ready by next year.” Even so, Wandi is realistic. “Most publishers overseas still look down on Indonesian books. Only books from great and famous authors, like Pramoedya Ananta Toer, get their attention.”

Surprisingly, books about Indonesian Islamic fashion have come to international consideration, especially in Middle East countries such as Turkey, and from Malaysia, said Wandi. “It seems that our all-covered fashion has become a trend.” Wandi said that Indonesian publishing industry was still “colonized”, meaning that most of books on sale were from overseas. “Foreign titles in fiction and non-fiction are still favorites. Although, in metropop, there’s been a significant shift. Indonesian metropop is a favorite now,” he said of women’s popular literature. Nung Atasana of Borobudur Literary Agency says that different countries have readers with different interests.  Malaysians, for example, are interested in Indonesian books about Islam, Islamic fashion, fashion, Islamic novels, Chinese philosophy, recipes, handicrafts, agro-business, interior design, parenting, education, motivation, health, computer, literary works and children’s books. “Brunei Darussalam looks for literary works; the Philippines looks for English[-language] children’s books; Vietnam looks for on education, children’s books and references; Thailand looks for children’s books; the Indonesian community overseas is interested in rare books and local content; while Japan is up for literary works,” said Nung, a former editor of Gramedia Pustaka Utama publishing and former international marketer for Gramedia Publishers. There was also interest from publishers in other nations: illustrated children’s books for South Korea, classic and contemporary literature in the United Arab Emirates, Islamic writings for Saudi Arabia, cookbooks and literature in the Netherlands and reference and literary books in the US. “From my observation, it means that most of those countries are looking for children’s books, especially with hand illustrations instead of computer-generated ones,” said Nung.

Meanwhile, Kate Griffin, the international program director for British Center for Literary Translation, said that most foreign publishers look for books that would fit their lists, tastes and aesthetics; as for works with stories they think their readers would read. “In the UK, we are generally not as adventurous and open to other literary styles as other European countries. Crime fiction in translation is popular, as is straightforward storytelling, but not so much literary experiments.  “This means that UK publishers are often quite cautious in what they choose to translate, selecting titles that don’t stray too far from the taste of UK readers and familiar literary styles. They might focus on genres such as crime, or big family sagas, to be sure that there is an audience,” she said. Author Laksmi Pamuntjak has had her novel Amba translated into English under the title The Question of Red. The book, published by Gramedia Pustaka Utama in Indonesia, will be available in bookstores after April 1.  Laksmi has sold the German rights of the novel to Ullstein Verlag, which will publish it in German by fall 2015. Ullstein Verlag is a respected German publishing company that has published the works of George Orwell, Ha Jin, Margaret Atwood, Nobel Prize winner Knut Hamsun, Richard Dawkins and J.K. Rowling.  “I can only hope [the German distribution] will further open doors to the international market,” said Laksmi. Looking at Frankfurt, Laksmi said that Indonesia could use the fair to curate the nation’s literature to determine which works should be presented to the world and display the sheer breadth of the country’s cultural voices. “The government should take this seriously, however, for a moment of this scale calls for resources and a great amount of faith and national pride in what Indonesian authors have achieved.  Look at South Korea and how committed its government is in subsidizing and promoting its writers and artists and works in translations,” she said. Taking the stage in the Frankfurt Book Fair isn’t so much about whether Indonesian literature is good enough, said Laksmi. “It is, rather, about whether the world is interested in what we have to say in the first place.”

Direct Speech

a.       “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.

In this direct speech use present tense, if we want to change it to indirect speech we have to change the tenses to the past tense.

Indirect Speech

She said that their translation team was doing its best to finish half of the target number by end of the year. If everything goes well, they will have translated all 150 titles by next year.

In indirect speech we found that the pronoun ‘She’ become in the first sentence “She said that”. Also, pronouns that change form, for example : ‘Our’ becomes ‘Their’ and ‘We’ become ‘They’ and last we can see that the quotation marks were deleted, also there ‘was’ in this sentence that means it have changed into past tense. it is mention that this sentence is an indirect speech.

Direct Speech

b.      “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

This direct speech also use present tense, and we have to change it into past tense and also the pronoun ‘We’ become ‘They’, ‘Are’ become ‘Were’ because the pronoun is They and to change its form into past tense. So, the complete sentence is

            

            Indirect Speech

She said that they were welcoming more titles from the public, especially the ones that explore local culture with universal value.

For indirect speech the quotation mark disappear change with ‘She said that’.

Question

a.       Direct

Rahma asked, “Where are you going?.”

Indirect

Rahma asked that where I was going.

In direct speech use present tense for change it into indirect form we have to change the tenses into past tense and we have to delete the quotation marks and question mark  in direct sentence, change pronoun ‘you’ become ‘I’ in indirect speech and add ‘was’ to change it to past tense.

b.      Direct

Tom asked “Why did you not go to grandma’s house?.”

Indirect

Tom asked me why I had not gone to grandma’s house the day before.

In this direct speech use present perfect,  change it into past perfect tense form, we have to change pronoun ‘you’ become ‘I’, change ‘did’ become had not as past perfect form and also add ‘the day before’ in the last sentece. Deleted the quotation marks and question mark in the indirect speech.

Imperative

a.       Direct

Father told me “Can you cook dinner tonight?’

Indirect

Father told me to cook dinner tonight.

In this direct speech we can see that this sentence use possitive command so we have to put ‘to’ between pronoun and verb. We also have to change the pronoun ‘you’ become ‘me’ and delete the quotation marks and question mark.

b.      Direct

“Be careful of the slippery floor” my friends warned me.

Indirect

My friends warned me to be careful of slippery floor.

In this sentence we can see that this is also possitive command to someone. In indirect speech we have to delete the quotation marks, and move ‘my friends warned me’ to first sentence.

Anjar Rahmannita (10611938)

4SA05

Pembelajaran bahasa Inggris dengan berbantuan komputer (Softskill)

Direct and Indirect Speech (Softskill)

How Serious Is Indonesia In Promoting It’s Culture, Literature

by Jakarta Post

At the Frankfurt Book Fair 2015, Indonesia will be the event’s guest of honor, offering the nation a chance to show the world that it has tremendous wealth of culture and literature. The event will be the first time that Indonesia will be so honored. In previous iterations of the fair, Indonesia has been represented by the Indonesian Publishers Association (IKAPI) or individual publishing houses. Deputy Education and Culture Minister Wiendu Nuryanti said that officials were taking the time needed to make sure that the government was ready.  “We must understand that the book fair has a wide constellation [in the industry], so we’d like to treat Frankfurt Book Fair as a promotion place for Indonesia. We also think that we can develop some ideas, like gaining some ground for creating a translation center in Indonesia,” Wiendu said during a recent seminar titled On the Road to Frankfurt: How Translation Travels held by Kompas Gramedia. “We have our own great authors and we need momentum to promote them and their powerful literary works — and the Frankfurt Book Fair is the perfect international stage for Indonesia,” she added. Officials plan to display 2,000 books at a dedicated Indonesian booth at Frankfurt, Wiendu said. About 150 of the titles would be translated into English or German.  “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.  So far, Wiendu has received 530 titles to be brought to Frankfurt. “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

Also speaking at the seminar, Gramedia managing director Wandi S. Brata said that his company would display another 100 titles of Indonesian literary works in foreign languages during Frankfurt. “It’s great that now the government is willing to facilitate us at the book fair. I think it’s a brave step from the government, which hopefully will have a good impact — on Indonesia in general, and on local publishers in particular,” Wandi told The Jakarta Post. Wandi said that publishers and the IKAPI worked independently at international book fairs in previous years. “We used to only focus on buying rights [of international titles]. This time, Gramedia alone, for example, will be trying our best to sell some rights of local titles to international market, especially Germany. “So far, we’ve translated 61 titles — there are about 40 to go. We’re optimistic that every title will be ready by next year.” Even so, Wandi is realistic. “Most publishers overseas still look down on Indonesian books. Only books from great and famous authors, like Pramoedya Ananta Toer, get their attention.”

Surprisingly, books about Indonesian Islamic fashion have come to international consideration, especially in Middle East countries such as Turkey, and from Malaysia, said Wandi. “It seems that our all-covered fashion has become a trend.” Wandi said that Indonesian publishing industry was still “colonized”, meaning that most of books on sale were from overseas. “Foreign titles in fiction and non-fiction are still favorites. Although, in metropop, there’s been a significant shift. Indonesian metropop is a favorite now,” he said of women’s popular literature. Nung Atasana of Borobudur Literary Agency says that different countries have readers with different interests.  Malaysians, for example, are interested in Indonesian books about Islam, Islamic fashion, fashion, Islamic novels, Chinese philosophy, recipes, handicrafts, agro-business, interior design, parenting, education, motivation, health, computer, literary works and children’s books. “Brunei Darussalam looks for literary works; the Philippines looks for English[-language] children’s books; Vietnam looks for on education, children’s books and references; Thailand looks for children’s books; the Indonesian community overseas is interested in rare books and local content; while Japan is up for literary works,” said Nung, a former editor of Gramedia Pustaka Utama publishing and former international marketer for Gramedia Publishers. There was also interest from publishers in other nations: illustrated children’s books for South Korea, classic and contemporary literature in the United Arab Emirates, Islamic writings for Saudi Arabia, cookbooks and literature in the Netherlands and reference and literary books in the US. “From my observation, it means that most of those countries are looking for children’s books, especially with hand illustrations instead of computer-generated ones,” said Nung.

Meanwhile, Kate Griffin, the international program director for British Center for Literary Translation, said that most foreign publishers look for books that would fit their lists, tastes and aesthetics; as for works with stories they think their readers would read. “In the UK, we are generally not as adventurous and open to other literary styles as other European countries. Crime fiction in translation is popular, as is straightforward storytelling, but not so much literary experiments.  “This means that UK publishers are often quite cautious in what they choose to translate, selecting titles that don’t stray too far from the taste of UK readers and familiar literary styles. They might focus on genres such as crime, or big family sagas, to be sure that there is an audience,” she said. Author Laksmi Pamuntjak has had her novel Amba translated into English under the title The Question of Red. The book, published by Gramedia Pustaka Utama in Indonesia, will be available in bookstores after April 1.  Laksmi has sold the German rights of the novel to Ullstein Verlag, which will publish it in German by fall 2015. Ullstein Verlag is a respected German publishing company that has published the works of George Orwell, Ha Jin, Margaret Atwood, Nobel Prize winner Knut Hamsun, Richard Dawkins and J.K. Rowling.  “I can only hope [the German distribution] will further open doors to the international market,” said Laksmi. Looking at Frankfurt, Laksmi said that Indonesia could use the fair to curate the nation’s literature to determine which works should be presented to the world and display the sheer breadth of the country’s cultural voices. “The government should take this seriously, however, for a moment of this scale calls for resources and a great amount of faith and national pride in what Indonesian authors have achieved.  Look at South Korea and how committed its government is in subsidizing and promoting its writers and artists and works in translations,” she said. Taking the stage in the Frankfurt Book Fair isn’t so much about whether Indonesian literature is good enough, said Laksmi. “It is, rather, about whether the world is interested in what we have to say in the first place.”

Direct Speech

a.       “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.

In this direct speech use present tense, if we want to change it to indirect speech we have to change the tenses to the past tense.

Indirect Speech

She said that their translation team was doing its best to finish half of the target number by end of the year. If everything goes well, they will have translated all 150 titles by next year.

In indirect speech we found that the pronoun ‘She’ become in the first sentence “She said that”. Also, pronouns that change form, for example : ‘Our’ becomes ‘Their’ and ‘We’ become ‘They’ and last we can see that the quotation marks were deleted, also there ‘was’ in this sentence that means it have changed into past tense. it is mention that this sentence is an indirect speech.

Direct Speech

b.      “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

This direct speech also use present tense, and we have to change it into past tense and also the pronoun ‘We’ become ‘They’, ‘Are’ become ‘Were’ because the pronoun is They and to change its form into past tense. So, the complete sentence is

            

            Indirect Speech

She said that they were welcoming more titles from the public, especially the ones that explore local culture with universal value.

For indirect speech the quotation mark disappear change with ‘She said that’.

Question

a.       Direct

Rahma asked, “Where are you going?.”

Indirect

Rahma asked that where I was going.

In direct speech use present tense for change it into indirect form we have to change the tenses into past tense and we have to delete the quotation marks and question mark  in direct sentence, change pronoun ‘you’ become ‘I’ in indirect speech and add ‘was’ to change it to past tense.

b.      Direct

Tom asked “Why did you not go to grandma’s house?.”

Indirect

Tom asked me why I had not gone to grandma’s house the day before.

In this direct speech use present perfect,  change it into past perfect tense form, we have to change pronoun ‘you’ become ‘I’, change ‘did’ become had not as past perfect form and also add ‘the day before’ in the last sentece. Deleted the quotation marks and question mark in the indirect speech.

Imperative

a.       Direct

Father told me “Can you cook dinner tonight?’

Indirect

Father told me to cook dinner tonight.

In this direct speech we can see that this sentence use possitive command so we have to put ‘to’ between pronoun and verb. We also have to change the pronoun ‘you’ become ‘me’ and delete the quotation marks and question mark.

b.      Direct

“Be careful of the slippery floor” my friends warned me.

Indirect

My friends warned me to be careful of slippery floor.

In this sentence we can see that this is also possitive command to someone. In indirect speech we have to delete the quotation marks, and move ‘my friends warned me’ to first sentence.

Anjar Rahmannita (10611938)

4SA05

Pembelajaran bahasa Inggris dengan berbantuan komputer (Softskill)

How Serious Is Indonesia In Promoting It’s Culture, Literature

by Jakarta Post

At the Frankfurt Book Fair 2015, Indonesia will be the event’s guest of honor, offering the nation a chance to show the world that it has tremendous wealth of culture and literature. The event will be the first time that Indonesia will be so honored. In previous iterations of the fair, Indonesia has been represented by the Indonesian Publishers Association (IKAPI) or individual publishing houses. Deputy Education and Culture Minister Wiendu Nuryanti said that officials were taking the time needed to make sure that the government was ready.  “We must understand that the book fair has a wide constellation [in the industry], so we’d like to treat Frankfurt Book Fair as a promotion place for Indonesia. We also think that we can develop some ideas, like gaining some ground for creating a translation center in Indonesia,” Wiendu said during a recent seminar titled On the Road to Frankfurt: How Translation Travels held by Kompas Gramedia. “We have our own great authors and we need momentum to promote them and their powerful literary works — and the Frankfurt Book Fair is the perfect international stage for Indonesia,” she added. Officials plan to display 2,000 books at a dedicated Indonesian booth at Frankfurt, Wiendu said. About 150 of the titles would be translated into English or German.  “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.  So far, Wiendu has received 530 titles to be brought to Frankfurt. “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

Also speaking at the seminar, Gramedia managing director Wandi S. Brata said that his company would display another 100 titles of Indonesian literary works in foreign languages during Frankfurt. “It’s great that now the government is willing to facilitate us at the book fair. I think it’s a brave step from the government, which hopefully will have a good impact — on Indonesia in general, and on local publishers in particular,” Wandi told The Jakarta Post. Wandi said that publishers and the IKAPI worked independently at international book fairs in previous years. “We used to only focus on buying rights [of international titles]. This time, Gramedia alone, for example, will be trying our best to sell some rights of local titles to international market, especially Germany. “So far, we’ve translated 61 titles — there are about 40 to go. We’re optimistic that every title will be ready by next year.” Even so, Wandi is realistic. “Most publishers overseas still look down on Indonesian books. Only books from great and famous authors, like Pramoedya Ananta Toer, get their attention.”

Surprisingly, books about Indonesian Islamic fashion have come to international consideration, especially in Middle East countries such as Turkey, and from Malaysia, said Wandi. “It seems that our all-covered fashion has become a trend.” Wandi said that Indonesian publishing industry was still “colonized”, meaning that most of books on sale were from overseas. “Foreign titles in fiction and non-fiction are still favorites. Although, in metropop, there’s been a significant shift. Indonesian metropop is a favorite now,” he said of women’s popular literature. Nung Atasana of Borobudur Literary Agency says that different countries have readers with different interests.  Malaysians, for example, are interested in Indonesian books about Islam, Islamic fashion, fashion, Islamic novels, Chinese philosophy, recipes, handicrafts, agro-business, interior design, parenting, education, motivation, health, computer, literary works and children’s books. “Brunei Darussalam looks for literary works; the Philippines looks for English[-language] children’s books; Vietnam looks for on education, children’s books and references; Thailand looks for children’s books; the Indonesian community overseas is interested in rare books and local content; while Japan is up for literary works,” said Nung, a former editor of Gramedia Pustaka Utama publishing and former international marketer for Gramedia Publishers. There was also interest from publishers in other nations: illustrated children’s books for South Korea, classic and contemporary literature in the United Arab Emirates, Islamic writings for Saudi Arabia, cookbooks and literature in the Netherlands and reference and literary books in the US. “From my observation, it means that most of those countries are looking for children’s books, especially with hand illustrations instead of computer-generated ones,” said Nung.

Meanwhile, Kate Griffin, the international program director for British Center for Literary Translation, said that most foreign publishers look for books that would fit their lists, tastes and aesthetics; as for works with stories they think their readers would read. “In the UK, we are generally not as adventurous and open to other literary styles as other European countries. Crime fiction in translation is popular, as is straightforward storytelling, but not so much literary experiments.  “This means that UK publishers are often quite cautious in what they choose to translate, selecting titles that don’t stray too far from the taste of UK readers and familiar literary styles. They might focus on genres such as crime, or big family sagas, to be sure that there is an audience,” she said. Author Laksmi Pamuntjak has had her novel Amba translated into English under the title The Question of Red. The book, published by Gramedia Pustaka Utama in Indonesia, will be available in bookstores after April 1.  Laksmi has sold the German rights of the novel to Ullstein Verlag, which will publish it in German by fall 2015. Ullstein Verlag is a respected German publishing company that has published the works of George Orwell, Ha Jin, Margaret Atwood, Nobel Prize winner Knut Hamsun, Richard Dawkins and J.K. Rowling.  “I can only hope [the German distribution] will further open doors to the international market,” said Laksmi. Looking at Frankfurt, Laksmi said that Indonesia could use the fair to curate the nation’s literature to determine which works should be presented to the world and display the sheer breadth of the country’s cultural voices. “The government should take this seriously, however, for a moment of this scale calls for resources and a great amount of faith and national pride in what Indonesian authors have achieved.  Look at South Korea and how committed its government is in subsidizing and promoting its writers and artists and works in translations,” she said. Taking the stage in the Frankfurt Book Fair isn’t so much about whether Indonesian literature is good enough, said Laksmi. “It is, rather, about whether the world is interested in what we have to say in the first place.”

Direct Speech

a.       “Our translation team is doing its best to finish half of the target number by end of the year. If everything goes well, we will have translated all 150 titles by next year,” she said, adding that the government has allocated US$1 million for the project.

In this direct speech use present tense, if we want to change it to indirect speech we have to change the tenses to the past tense.

Indirect Speech

She said that their translation team was doing its best to finish half of the target number by end of the year. If everything goes well, they will have translated all 150 titles by next year.

In indirect speech we found that the pronoun ‘She’ become in the first sentence “She said that”. Also, pronouns that change form, for example : ‘Our’ becomes ‘Their’ and ‘We’ become ‘They’ and last we can see that the quotation marks were deleted, also there ‘was’ in this sentence that means it have changed into past tense. it is mention that this sentence is an indirect speech.

Direct Speech

b.      “We’re welcoming more titles from the public, especially the ones that explore local culture with universal values.”

This direct speech also use present tense, and we have to change it into past tense and also the pronoun ‘We’ become ‘They’, ‘Are’ become ‘Were’ because the pronoun is They and to change its form into past tense. So, the complete sentence is

            

            Indirect Speech

She said that they were welcoming more titles from the public, especially the ones that explore local culture with universal value.

For indirect speech the quotation mark disappear change with ‘She said that’.

Question

a.       Direct

Rahma asked, “Where are you going?.”

Indirect

Rahma asked that where I was going.

In direct speech use present tense for change it into indirect form we have to change the tenses into past tense and we have to delete the quotation marks and question mark  in direct sentence, change pronoun ‘you’ become ‘I’ in indirect speech and add ‘was’ to change it to past tense.

b.      Direct

Tom asked “Why did you not go to grandma’s house?.”

Indirect

Tom asked me why I had not gone to grandma’s house the day before.

In this direct speech use present perfect,  change it into past perfect tense form, we have to change pronoun ‘you’ become ‘I’, change ‘did’ become had not as past perfect form and also add ‘the day before’ in the last sentece. Deleted the quotation marks and question mark in the indirect speech.

Imperative

a.       Direct

Father told me “Can you cook dinner tonight?’

Indirect

Father told me to cook dinner tonight.

In this direct speech we can see that this sentence use possitive command so we have to put ‘to’ between pronoun and verb. We also have to change the pronoun ‘you’ become ‘me’ and delete the quotation marks and question mark.

b.      Direct

“Be careful of the slippery floor” my friends warned me.

Indirect

My friends warned me to be careful of slippery floor.

In this sentence we can see that this is also possitive command to someone. In indirect speech we have to delete the quotation marks, and move ‘my friends warned me’ to first sentence.

Anjar Rahmannita (10611938)

4SA05

Pembelajaran bahasa Inggris dengan berbantuan komputer (Softskill)